Keeper of My Mothers’ Dreams expanded the dialogues began in Crowe Storm’s works Her Name is Laura Nelson and Be/Coming with newly commissioned pieces: Poems, Origin and Sister Song.
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Ariana Reines discusses Ouvrior de Theologies Potentielles at the closing of the Larissa Hammond exhibit. Known for her interest in bodily experience, the occult, new media, and the possibilities of the long or book-length form, Reines has been described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm.
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“The/a mind the b mind” was a fully commissioned exhibit, featuring four large-scale paintings by Larissa Hammond and one in collaboration with poet Ariana Reines.
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Before language to Hemingway, from the ancient Sumerians to the Greeks to the modern day, there was the sport of boxing. With his exhibit “50 Grand,” Chicago-based artist Carlos Rolón/Dzine presented a dually charged exploration of boxing and domestic culture, inspired by the tactility and performative qualities of boxing, and its relationship to contemporary art at Tube Factory artspace.
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